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An Informed Performance
An Informed Performance Lies in the Historical Context of a Musical Composition Welcome to our third guest post, kindly written and shared by Drew Schweppe. Drew (IES Abroad Vienna, Fall 2010 | Ithaca College), is the Founder and Managing Director of Informusic, the first all-in-one music history resource for smart phones and tablets. Thanks so much Drew! A […]
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Clever Echo???
Clever Echo in the Secondary School Music Classroom The Oxford English dictionary gives the definition of the word echo as “a sound or sounds caused by the reflection of sound waves from a surface back to the listener”. [1] In the classroom, echoing is an activity in which something is performed firstly by the teacher […]
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Lean Forward!
Just a quick post from me today (am in the middle of writing the 2nd Edition of the Level 3 books, CDs etc ready for 2017!) I came across this action song when my daughter sang it ALL the way home in the car (it’s an hour drive!!!) I can’t find the source of the […]
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Practicing Transcriptions
It’s not as easy as you think! When we do transcriptions with our students in class that is exactly what we are practicing – the process of TRANSCRIPTION! Yes of course we do have to learn and practice that process but it is learning and practicing the content of the transcriptions that will actually help […]
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My Tasmanian Adventure
A couple of weeks ago I was one of the key note presenters at the ASME (Tasmanian branch or “TASME” as it’s affectionately known) conference, held at Scotch College Oakburn in Launceston. Having never been a key note speaker before and having never visited Launceston either I was VERY excited (and just a tad nervous). […]
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Tone Ladders (What are they & how do I use them?)
What are Tone Ladders? Tone Ladders are a great way ofvisually representing pitch in anintervallically accurate way –that is so long as the intervalsbetween the notes are representedaccurately on the tone ladder. For example, if a tone ladder looks like this: or this: it is NOT representative of the different intervals between the notes e.g. of […]
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The Three “Ps” (Preparation, Present, Practice) Kodály Fundamentals
What ARE the Three “Ps” One of the first things an aspiring Kodály teacher is taught when embarking upon any Kodály course are the Three Ps – Prepare, Present and Practice. These three things form the basis of the process we use to teach ANY and EVERY element of music. Our belief is that students […]
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FAVOURITE QUOTES ABOUT MUSIC and MUSIC EDUCATION
Often, when asked to speak at various conferences or workshops on a particular topic, I like to find a quote that reinforces what I am talking about. Over the years I have put together quite a list which I thought I would share with you. Of course there are many more great quotes out […]
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What is DSMusic?
Deborah Smith has taught music in many classrooms, ran Music Departments in schools and now helps students and educators to keep making wonderful music through DSMusic. She is active in the Kodály space – lecturing, advocating and creating content that supports this comprehensive music literacy approach. DSMusic is built from understanding the realities of the classroom […]
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It’s no big deal – Improvising & Composing in the Everyday Music Lesson
Improvising and Composing are NOT Scary! As a teacher I often avoid the things that I think I am not good at e.g. improvising and composing. Of course I CAN improvise and compose but I am not comfortable improvising and composing. Does this mean I shouldn’t teach my students how to improvise and compose? Of course not! […]
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Movement Activities for Older Students
I frequently teach older students (17 and 18 year olds) for long periods of time at a stretch. I want to break up these sessions with activities to keep their concentration levels up, but don’t want to let them take a real break as they tend to take twice as long as I allow (“I […]
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do re mi songs that are NOT Hot Cross Buns
Tired of the same old do re mi songs? Me too. So here are four you may not know for your song collection. Girl with clock and pirate images courtesy of photostock Bored teacher image courtesy of saphatthachat Flea image courtesy of debspoons All available at FreeDigitalPhotos.net
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How to Extend Your Most Musical Students
Something I love about teaching music literacy, musicianship, aural and theory using the Kodály method is how easy it is to create extension ideas and activities suitable for the HUGE range of student abilities within our classes. As any music teacher who has taught the first year of high school will know, our student’s abilities […]
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Teaching Key Signatures by Jeremy Howard
Sound before symbol! Welcome to our very first guest post, kindly written and shared by Jeremy Howard. Jeremy is a Kodály teacher in Kentucky, USA. You can follow Jeremy’s fantastic Kentucky Kodály Classroom blog here.Thanks so much Jeremy! Teaching key signatures can be difficult since there is no associative “sound”. How does one then teach key […]
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Jumbala Lyala – a new game for 3 metre
Have you noticed that, in Western cultures, we don’t sing a lot of songs in 3 metre?This means our students find it hard to use 3 metre for composing and improvising, as well as transcribing, as it is not part of their regular music language. I originally created these actions to highlight the accents in […]
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Chord Canons
Two things I don’t cover enough in my classes are harmony/chord work and composition. Here’s an activity that covers BOTH and your older students will LOVE it! Once your students have learned the primary triads in a Major key and can sing these triads in various ways try this chord canons activity to practice but also to show how INCREDIBLY easy it is […]